Section Projects
隙 (Interval)
隙 - work in progress
The Distance Between Two Moments
Tromsø / Sedona, 2026
Sound, field recording, thermal print, conceptual installation
The Distance Between Two Moments explores the transformation of an ephemeral experience into a physical trace.
One minute of environmental sound is recorded in the Arctic landscape of Tromsø and another in the desert of Sedona. Each recording is translated into a continuous waveform and printed onto thermal paper. The original digital recordings are subsequently erased, leaving the printed traces as the only remaining material evidence of the two moments.
The two strips are joined into a single line, connecting geographically and climatically distant environments through time rather than space. Sound becomes image; duration becomes material; an experience becomes an object.
By removing access to the original recordings, the work shifts attention from documentation to memory, absence and irreversibility. What remains is not the event itself, but its trace—a physical record of two moments that can never be repeated.
Section Projects
可能 — Kěnéng
work in progress
可能 — Kěnéng
Conceptual experiment, 2026
可能 / Kěnéng investigates possibility as an autonomous state. An action is prepared until no practical obstacle to its execution remains, yet the final act is deliberately withheld.
The work proposes that capability does not require demonstration. Once an action is demonstrably possible, its execution may add nothing essential to the proposition.
By suspending the work at the threshold between intention and event, Kěnéng shifts attention from what happened to what could happen. The unrealised act remains simultaneously absent and present: absent as an event, present as knowledge.
The work ultimately asks: If we know something can be done, what changes when we choose not to do it?
An action is fully prepared. All necessary conditions are in place. It could be carried out at any moment.
It is not carried out.
The work exists entirely in the state immediately before the action. What matters is not the outcome, but the knowledge that only a single decision separates possibility from reality.
The documentation could consist of a single photograph of the prepared situation, accompanied by one sentence:
“It could have happened. That was enough.”
Section Social Projects
The Practice of Care
For Someone We May Never Meet
Berlin, 2026
Participatory interventions on care, responsibility and collective imagination
"The Practice Of Care" is a participatory series exploring care, vulnerability and human connection as forms of social transformation. Developed in Berlin, the works use simple gestures—writing, giving, pausing and sharing—to consider how individual actions can generate collective meaning.
Rather than positioning vulnerable people as subjects of observation, the series shifts attention toward participation, responsibility and reciprocity. A Piece of Tomorrow transforms personal hopes into a collective vision for future generations. The Invisible Gift considers generosity through absence, documenting what remains after something has been given away. One Square Metre of Peace temporarily interrupts the rhythm of the city, creating a minimal space for stillness and reflection. A Letter to an Unknown Child connects generations through anonymous messages of encouragement, experience and care.
Across the four works, ordinary materials and actions acquire symbolic significance. A handwritten sentence becomes testimony; an empty space becomes evidence of giving; a marked square becomes a temporary refuge; a personal message becomes part of a collective archive.
At its core, the series asks a simple question: Can small individual gestures become instruments of social transformation? The works do not attempt to provide solutions, but create situations in which empathy, imagination and responsibility can be practiced—briefly transforming the relationship between the individual, the stranger and the city.
Section Projects
Temporary Coordinates
Temporary Coordinates - work in progress
Transformation as a Universal Condition
Temporary Coordinates approaches transformation not as an event, but as a continuous condition of existence. Across the contrasting landscapes of Tromsø and Sedona, light, water, wind, shadow and time become active materials—forces that continually reshape how a place is perceived.
The works are connected through deliberately minimal interventions. Light shifts, ice becomes water, wind determines orientation, shadows redraw geological forms, and temporary objects appear only to disappear again. Rather than altering the landscape permanently, each project observes or briefly participates in processes already taking place.
The Arctic and the desert function as two extremes within the same system. Their apparent opposition—cold and heat, ice and rock, blue and red, fluidity and solidity—reveals a shared state of impermanence. Arctic Light Index and Shadow Register measure transformation through light; Melt Drawing and One Minute Monument explore disappearance; Borrowed Horizon and Frame / Sedona question how perception constructs landscape; Temporary North introduces chance and natural forces; and Two Horizons ultimately connects both locations through a single visual continuum.
At the centre of the series is a simple proposition: nothing is static. Landscape, matter, perception and the observer exist within the same ongoing process of transformation.
